It stands alone. A bucket of pig blood is pulled and it covers her and her date, Tommy. Soles) in Carrie dies via fire hose. As far as Carrie knows, this is a normal home life. Carrie gets home and asks her mother why she hid the truth of menstruation from her, but instead of explaining, her mother begins quoting false scriptures, and when Carrie tries protesting, her mother locks her up to pray in a tiny closet, which freaked her. All rights reserved. Playlists - The time is now (Carrie 2002) - Prom King and Queen (OST Carrie 1976)- The Dirge (OST Sorority Row)- Fire/Bombing London (OST 28 Weeks Later)- S. Carrie had some kind of power. And the shock ending of Kings novel is that just for a moment and far too late she isnt. Rather than focusing on the blood per se, consider who is always there in concert with the blood, using it to taunt poor Carrie. There is a sonic flashback of Carries mother stating theyre all going to laugh at you on a loop, (previous things her tormentors have said are also in the sonic flashback) this reveals Carries motive for her revenge. The silence also serves as a cooling point for the audience after the frantic build up to the climax. This adaptation was intended as a backdoor pilot for an ongoing Carrie television series (it wasnt picked up). The scene then shifts to a rainy graveyard, where a black-clad Sue is walking with a single white rose in her hand. Sue screams and then briefly sees an image of a blood-soaked Carrie cradling her infant. The 2002 made-for-television adaptation of Carrie offers another ending for the story that differs dramatically from the novel and the film adaptations and for good reason. The 10 Best Brian De Palma Movies, Ranked (According To IMDB). Peirce and screenwriters Lawrence D. Cohen and Roberto Aguirre-Sacasa give the whole film this kind of heartfelt, inside-out re-imagining. Sue tells Carrie to go somewhere no one knows her and offers to drive her as far as Florida. After getting pigs blood poured on her, Carrie realized that her life would never change no matter how hard she tried to be happy. Sue finds Carrie in the parking lot and tries talking to her, but Carrie tries to hurt her, thinking she knew about the plan to humiliate her. After she got her first period and asked her mother for answers, Margaret began quoting false scriptures that never existed in the bible; this gave an insight into the fact that Margaret believed that anything related to blood had to be evil and from Satan. When De Palma gave Spacek the role, he cast Amy Irving as Sue Snell instead. The use of cross cutting creates a chaotic atmosphere as the tension swells as the hazy lighting blurs the focal points, this serves as the climax. But Carrie is not the evil in this story. It establishes a connection between the two girls and gives Sue a voice to tell their stories. Its a relatively faithful adaptation of Kings story (at least for the first two-thirds) that focuses entirely on Carries story as it unfolds, eschewing the epistolary aspect of the novel the interviews, textbook excerpts and reports that provide meta-commentary on the events of prom night. King crafts a lean, chilling, and insightful story that has at its heart a pair of complicated teenage girls who resist easy characterization. She is, however, sorely tempted by Chris. Though Sue tried desperately to atone for her sin and make Carries life better, she ended up making her life worse; this made Sue a passive antagonist in Carries life. The high-school in the film is named Bates High after Norman Bates in Psycho. To remain in the character's tormented headspace, Spacek returned to her trailer after three full days of filming and would sleep in her gore-sodden wardrobe. From Tommy to Chris, Billy, and almost all of Carries classmates, the death toll in the novel was staggering. Where Pierces film does diverge from de Palmas somewhat is in its restoration of Sue as a main character. Suddenly Margaret is standing behind her, croaking sin never dies. Carrie jolts awake and finds herself in Sues car. There is no dialogue present in the scene apart from a sonic flashback; the lack of dialogue intensifies the action and encourages the audience to pick up clues from visual exposition. Carrieby Stephen King is a novel that tells the story of a teenage girl Carrie, who faced torment in many aspects of her life. Interiority is not the provenance of the novel alone. Her myopic view on religion got passed on to her daughter, and after Carrie resisted, Margaret used subjugation to break her. One thing Carrie wanted was to have revenge on the people who tormented her. It doesnt matter whos innocent or not its the fact that they are laughing. The disaster climax of the original 1976 Carrie is like any top-tier, truly unforgettable scene in cinema so well-known that you don't even have to see it to know. Margaret was born into an average family. Pig's blood. She is born again at the prom, kills the woman who gave birth to her, and dies that very night. Critics panned the Pierces adaptation and called it unnecessary given its similarity to the still-iconic de Palma film. The bucket ends up hitting Tommy and he dies. Not knowing anything about menstruation, Carrie freaks out. NEXT: The 10 Best Brian De Palma Movies, Ranked (According To IMDB). When she is pushed to her breaking point, she doesnt (as many film adaptations often suggest) go into a trance or react instinctively and without intention. The original ending was restored in the 2013 remake. But films have represented and adapted wordless communication in a variety of interesting, effective ways. It belongs to the culture. There is another interesting perspective, however. Chris pours pig blood on Carrie, and everyone laughs at her. Now she's ready because "the devil has come home" (2.733). Carrie got tormented by her mother, who seemed to be far from reality; this forced Carrie into social ostracization and limited mental capability. The sonic flashbacks end and a new non-diegetic score is introduced, the tone is eerie and it plays only one melody the entire time. Carries terror kills hundreds of people. We may earn commission from links on this page, but we only recommend products we back. It will make you think of the evil that goes on in parking lots and roadhouses.. Chris is beyond evil. Psychologically, Carrie White (white as a baby's innocence) is a baby going to school with teenagers. AndKing is careful to showhow much easier that makes it for people (and potentially even the reader) to marginalize her and to accept the brutal, dehumanizing treatment of her. Sue Snell is one of the many girls who throw tampons at Carrie in the shower. Her story is just beginning. Home Stephen King Carrie Themes and Analysis. However, it uses an omniscient narrator for most of its story. Even when the film was released, everyone knew what was going to happen. The story of Carrie begins when her mother gives birth to her with little medical assistance. Feeling both ashamed and afraid of her condition, Desjardin tells Carrie that she was having her first period even though it surprised her that Carrie experienced her first at a late age. Bullying Motif. However, she discovers herself, and her life completely changes. Sue tries to atone for what she did to Carrie and asks her boyfriend, Tommy, to take Carrie to the school prom. Hearst Magazine Media, Inc. All Rights Reserved. One of the most memorable shots in the film occurs during the prom scene, in which Carrie's vertiginous mental state is depicted with a piece of dizzying camerawork. Tommy asks Carrie to prom, and though she initially tries to decline, she later agrees to his offer. Mentioning Stephen King's classic 1974 horror novel likely calls to mind one of two iconic scenes: Carrie getting her period for the first time in the school shower and being pelted with tampons as her classmates scream "Plug it up!" or Carrie wreaking fatal havoc on a gym full of students after being drenched in pig's blood just as she was Considering the millions of words devoted to analyzing Stephen Kings novel Carrie in light of the abundance of religious imagery and the seemingly unlikely coincidental naming of a major character, it is actually surprising how rarely one comes across an interpretation that almost begs to be examined. Sneaking into the prom hall, Chris and her boyfriend set the buckets of blood above the stage. This version strands the supporting characters between realism and archetype, an awkward spot. In screenwriter Bryan Fuller and director David Carsons adaptation, no one gets haunted by Carrie, either literally or figuratively, because Carrie doesnt die. The frantic score is interwoven with sounds of screaming which increase the horror elements of the scene. Carrie is an innocent. Unlike in de Palmas film, there is no indication that the gravestone shattering moment exists in the context a dream: Sue doesnt even see the stone shatter, only the audience does. Rather than engulfing the White abode in flames, for which a miniature model was used, the original ending of Carrie was meant to be much different. Carrie suffered because of her mothers fanatism and guilt. With laughter and humiliation, Carrie goes on a rampage and locks everyone in the gym. Chris decides to ruin Carries life and follows her boyfriend to a farm where they kill pigs and drain their blood into a bucket. (Stephen King's source novel sold one million copies when released in paperback in 1975.) Prom Dress. The Cast Of Carrie (1976): Where Are They Now? Carrie and Tommy have fun on the dance floor at prom, and Tommy discovers how great Carrie is. The music compliments the slow motion as they both slowly drawl out the process of Carries prank, when the editing becomes more fast paced so does the score, this indicates the approaching terror. had a famously troubled production and post-production. Based on Stephen King's first published novel, the story centers on Carrie (Sissy Spacek), a timid teenage girl who is bullied in school by popular girls and tormented at home by her fanatically religious mother (Piper Laurie). There is a heavy use of cross cutting between Sue who is getting kicked out of the prom (the gym teacher assumes she is there to sabotage Carrie), Carrie and Tommy who are on the stage receiving praise from the audience. Due to its depiction of how the teenagers died, Carrie got banned in parts of the United States. This is a form of exposition which shows the bullies plans for Carrie. It is through your support of visiting Book Analysis that we can support charities, such as Teenage Cancer Trust. However, the novel also tended towards the young adult fiction genre as it used elements of fantasy and fiction in character building. De Palma opted to keep the shot in the film, even though Soles was so badly hurt that she could not hear out of one ear for the following six months before the eardrum eventually mended. Kimberley Pierces 2013 adaptation of Carrie had a famously troubled production and post-production. She isnt smart. To create a surreal effect, the shot was filmed backward. She wasnt even tempted by the Antichrist. Carrie dies in Sues arms, and the novel ends with a hint that suggests there is another person with the same powers Carrie possessed. But she was just like me. It did not go well. In the end, Spacek was placed inside a box at the bottom of a hole in the ground, where she waited for the camera to be set up to film the scene. Before they break.. And totally memorable. Carrie and Tommy get crowned prom king and queen. For all the psychological realism of Carrie and Margaret's relationship, however, this remake has a comic book feeling. She isnt pretty. She may have committed the Sin of Lustful Thoughts. Brian de Palmas 1976 film is is the first, most famous, and most widely-praised adaptation of Carrie. Carrie does not seem dangerous. The scene is then split into two frames; one of De Palma signature trademarks is the use of a split scene. Accessed 1 May 2023. It led to issues with religious groups who felt he pushed the limits on religion and took it too far. Moore's Margaret is a purely pitable figure who scratches and cuts her own flesh, and who cannot love herself, let alone a child. However, no matter how hard she tried, she was always rejected by her peers. However, the rocks can still be seen in the final shots of the film, aligning the White house in the place of charred ashes. The film that resulted after excessive studio tinkering is much closer to de Palmas movie than Kings novel. Carrie and Tommy get crowned as prom king and queen. In Pierces adaption, Sue does find Carrie at the end of the latters reign of terror; she tries to help Carrie out of the rapidly disintegrating house and pull her to safety. Though the screen adaptations forCarriewere excellent, they featured an ending different from the novel. This interpretation is supported by de Palmas comments that the final scene of his film was inspired by the 1972 thriller. This ending sits a lot more strangely with the rest of Pierces film because it seems to undermine the connection established between Sue and Carrie at Carries death by ending on a note of fear. Its incredibly satisfying: poignant but not too pat. Suddenly, a bloody hand emerges from between Sues legs. In de Palmas version of the story, Sue is locked out of the gymnasium just before the bucket of blood drops and does not appear again on screen until after Carrie is dead. Matt Zoller Seitz is the Editor at Largeof RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. Their clapping stops and the score slowly distorts into an empty silence, the only diegetic sound present is the dripping of the blood from the bucket. It's like the horse head in The Godfather or the silhouetted flying bike in E.T. Nothing can stop what's coming. They should really put a sign up: "Don't flush tampons down the toilet, or throw them at each other ." Importantly, though, Sue is the only one who seems to feel bad about it. Her body is perceived as possessed by an introject of an intrusive, domineering,. Andthe end Sue is a much more straightforward friend to Carrie, with their mad dash across state lines evoking shades of Thelma and Louise. In screenwriter Bryan Fuller and director David Carsons adaptation, no one gets haunted by Carrie, either literally or figuratively, because Carrie doesnt die. But you can only push someone so far. King crafts a lean, chilling, and insightful story that has at its heart a pair of complicated teenage girls who resist easy characterization. Carrieis an exceptional novel whose story got propelled by Stephen King intricately. It's a product of her horrid home life, and the knowledge that she has undefined powers that make her different from other kids, and that they're flowering along with the onset of puberty, and that her mother Margaret (Julianne Moore) sees them as signs of evil, rather than world-changing human potential. Whatever the book. Original sin is never far from its mind. Carrie: Directed by Kimberly Peirce. Required fields are marked *. Best summary PDF, themes, and quotes. After receiving her first period, she acquires telekinetic powers, which turns her world around; especially since she did not understand what the change meant for her as a new woman. Its about the horror of being alone in the dark. Privacy Policy, https://bookanalysis.com/stephen-king/carrie/themes-analysis/. Prom Dresses Market 2023 Research report presents an in-depth analysis of the Prom Dresses market size, growth, share, segments, manufacturers, and technologies, key trends, market drivers . Chris decides to exert her revenge on Carrie by ruining her prom and employs the help of her boyfriend and his gang. By ending with this reference de Palma aligns Carrie with these psychopaths, recasts Carrie simply as a creature haunting Sues unconscious. 'Carrie' by Stephen King is a novel that tells the story of a teenage girl Carrie, who faced torment in many aspects of her life. After getting disgraced by Chris, everyone laughs at Carrie, forcing her to use her powers to burn down the school. However, Chris sets her plan into motion. Not for nothing does Carrie check out library books on magic as well as paranormal power: when she becomes a gore-drenched avenging angel, her gestures become more ritualized, almost dancer-likeas if she's not just committing gruesome murders, but in some sense "presenting" them, as a performer might.
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